That said, IK have included the Fairchild's DC Threshold trimmers, added as a modification to some hardware, which adjust the compression knee. While this maintains a more authentic recreation of 'the sound', it can, of course, be a little frustrating in practice. The Fairchild and Pultec models take the purist approach of sticking with the control quirks and limitations of the original hardware, so, for example you only get the limited choice of EQ frequencies provided on original Pultec hardware. However, the other two processors are something of a departure, offering new transparent digital limiting and EQ algorithms to complement the more colourful analogue‑style palette. It comes as no surprise, given T‑Racks' history, that three of these model desirable analogue circuitry: the Fairchild 670 valve compressor, the Pultec EQP1A valve equaliser, and an apparently generic optical compressor (the controls of which nonetheless bear a striking resemblance to those of the Teletronix LA2A).
The original cohort of mastering processors available in previous versions (Classic Equalizer, Compressor, Multi‑band Limiter and Clipper) are still present and correct, but have been supplemented by five additions. New ProcessorsĪ new Compare function lets you evaluate mastering processing setups without the misleading effects of loudness differences between the processed and unprocessed files. Now it has reached its third‑generation incarnation, expanded with new virtual rack units, more flexible audio routing, and higher‑spec audio processing and metering. Back then it was a comparatively simple stand‑alone processing package for 16‑bit audio files, albeit with a suite of euphonic analogue‑modelled processors that quickly earned themselves a loyal fan base.
T RACKS MISTERING SOFTWARE
Paul White reviewed the first version of IK Multimedia's T‑Racks mastering software in SOS February 2000 ( /sos/feb00/articles/iktracks.htm), and since then it's come a long way. New in T‑Racks 3 is a matrix that allows you to construct complex processing chains, although there is only limited control available from this overview window. Do the improvements in version 3 keep it ahead of its rivals?
T RACKS MISTERING MAC
Mac and the Mac logo are trademarks of Apple Computer, Inc.IK's original T‑Racks invented the idea of 'one-stop shop' software for master processing. Universal Audio has neither endorsed nor sponsored IK Multimedias products in any manner, nor licensed any intellectual property for use in this product. Fairchild is a registered trademark property of Avid Technology, Inc. Use of these names does not imply any cooperation or endorsement. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedias sound model development and for describing certain types of tones produced with IK Multimedias digital modeling technology. Submit Search.Īll other product names and images, trademarks and artists names are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Published on Jan 31, SlideShare Explore Search You. See our Privacy Policy and User Agreement for details.
See our User Agreement and Privacy Policy. If you continue browsing the site, you agree to the use of cookies on this website. Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. When you first launch T-RackS 3 you will see the the first processor in the processor chain, a global preset, a range of useful meters and with the stand alone version a basic audio editor.
T RACKS MISTERING PDF
An installation wizard guides you through the process and there is an installation and authorization PDF file to help. Is there a noticeable difference? Is it worth upgrading? What do you get for your money? I also did a comparison with previous T-RackS modules that I had installed and with other VST processor modules from other manufacturers.
Mastering, the black art, is a process that takes a song and makes it sound as good as it possibly can across various playback devices in a multitude of formats.
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